The iPhone 13 series has been released for one month, and many fruit fans have got their favorite machines. Let's briefly compare the cameras of iPhone 13, iPhone 13 mini, iPhone 13 Pro Max and iPhone 12 Pro Max to see how big they are.
The photos of iPhone 13 Pro Max, vivo X70 Pro+, Huawei P50 Pro, and Xiaomi 11 Ultra are still being processed, and are expected to be completed early next week.
The conclusion is put at the end of the article, and all the focuses are in the center, fully automatic mode.
Specification comparison
Summarize the camera specification differences:
The iPhone 13/13 mini uses 1.7 of the same level as the iPhone 12 Pro Max μ M main camera+sensor displacement OIS, ultra wide angle CMOS speed is faster (note, it refers to speed).
Both the main camera and ultra wide angle of iPhone 13 Pro Max become stronger, but the telephoto is not really called promotion, it should be called focus segment choice: 1.7 of the previous generation of main camera μ IMX603 of m is replaced with 1.9 μ The aperture of the IMX703 was raised from F1.6 to F1.5, and the press conference announced that the weak light was increased by 2.2 times (but we all know the actual improvement...). IMX772 ultra wide angle, the core improvement is the auto focus lens with aperture rising to F1.8, 6P, and macro function. The focal length of the telephoto IMX713 is increased from 65mm to 77mm, but the aperture is reduced to F2.8.
Ultra wide angle contrast
Ultra wide angle contrast 1
Ultra wide angle contrast 1, central amplification
Ultra wide angle contrast 2
Ultra wide angle contrast 2, central amplification
Ultra wide angle contrast 3
Ultra wide angle contrast 4
Ultra wide angle contrast 4, central amplification
The iPhone 13 Pro Max has a stronger super wide angle, which can really shoot a more realistic barbecue.
Ultra wide angle contrast 5
Ultra wide angle contrast 5, central amplification
Ultra wide angle contrast, weak light scene 1
Ultra wide angle contrast, weak light scene 1, central magnification (none of them can take a picture close to the real thing, the real wood shape, in the main photo sample below)
Ultra wide angle contrast, weak light scene 2
Ultra wide angle contrast, weak light scene 2, central amplification
Ultra wide angle contrast, weak light scene 3
Ultra wide angle contrast, weak light scene 3, central amplification
Ultra wide angle contrast, extremely weak light scene
Ultra wide angle contrast, extremely weak light scene, central amplification
"3x zoom" contrast
PS: The iPhone 13 and iPhone 13 mini do not have a telephoto lens, and the digital zoom accompanies the whole process. The iPhone 12 Pro Max is 2.5 times the physical telephoto.
"3x zoom" contrast 1
"3x zoom" contrast 1, central magnification
"3x zoom" contrast 2
"3x zoom" contrast 2, central magnification
"3x zoom" contrast 3
"3x zoom" contrast 3, central magnification
"3x zoom" contrast 4, central magnification
Turn on the light indoors and contrast the telephoto
Turn on the light indoors, contrast the telephoto, and zoom in at the center (iPhone 13 Pro Max slightly loses some details due to the shrinking aperture)
Outdoor night view, long focus contrast
Outdoor night scene, telephoto contrast, central magnification (in this scene, 12 Pro Max cannot trigger telephoto, and is crying on the spot. However, 13 Pro Max uses up to 3 seconds of night scene mode in this scene)
Subjective contrast
Main camera contrast 1
Focus contrast 1, central amplification
Main camera contrast 2
Main camera contrast 2, central amplification
Main camera contrast 3
Main camera contrast 3, central amplification
Main camera contrast 4
Main camera contrast 4, central amplification
Main camera contrast 5
Main camera contrast 5
Main camera contrast 6
Main camera contrast 7
Main camera contrast 7, central amplification
Main camera contrast 8
Main camera contrast 8, central amplification
Main camera contrast 9
Main camera contrast 9, central magnification
Main camera contrast 10
Main camera contrast 10, central magnification
Main camera contrast 11
Main camera contrast 11, central amplification
Main camera contrast 12
Main camera contrast 12, central amplification
The "3x zoom" under extremely weak light is actually the main digital cutting ↑
The main feature difference between iPhone 13 Pro Max and 12 Pro Max is the digital zoom scene in low light, but the difference is due to different multi frame synthesis strategies, rather than the sensor itself.
summary
The conclusion has not changed much more than half a month ago, but the telephoto call of the iPhone 13 Pro Max (the current version of iOS 15.0.2, pushed on October 12) is more active than the initial firmware, and the weak light can also be triggered (the night scene mode is always 2 or 3 seconds). After sacrificing some photographic experience, this 3-fold telephoto can barely beat the 2.5-fold telephoto of the previous generation.
IPhone 12 Pro Max: I'm an old friend. My ancestral strengths are the photographic experience, the rate of main shooting, white balance, multi shot consistency, and still one of the top shooting performances. The weakness is the glare of the main camera. The two sub cameras are tight and weak. They have to synthesize multiple frames to help the family. Among them, the ultra wide angle is the most important, the low light rate is low, and the effect is weak, even not as good as some 2000 yuan mid-range computers;
IPhone 13/13 mini: The experience and effect of the main camera are not much different from those of the iPhone 12 Pro Max, and the ultra wide angle weak light film rate has slightly improved, but no substantial improvement has been found in the image quality. For them, the biggest problem is that there is no telephoto. "Anyone who has a telephoto will not have no telephoto." It is not convenient to take portraits. However, Apple's digital zoom is very practical. It is not blindly labeled like the Android camp, and can only be pushed up to 5 times;
The iPhone 13 Pro Max has a better screen and higher HDR brightness, which makes it outstanding in taking pictures and taking pictures. With the machine gun like shutter speed and high brush speed, the body feel is "hundreds of millions of points" faster. It is simply a kind of enjoyment to press the shutter with it, and the film rate is also very high. I'm afraid the Android camp may not have such a photographic experience five or six years later.
However, the actual film effect has not been greatly improved, and there is no need to change the camera to take photos. 12 Pro Max does not recommend it at all, although the low light shooting is not as smooth as 13PM, the dark details of low light video are weaker, there is no movie mode, and there is no macro function:
The simplest thing is Super wide-angle The light/weak light scene has really improved in dynamic range and noise control, which is a real upgrade point;
Three times longer focal length is more complicated, It has obvious discrimination advantage in the daytime (the price is naturally the vision), and the discrimination of the light scene is weaker, but the new firmware uses the duration of the night scene mode (photo experience) to compensate for the aperture disadvantage, and the weak light scene can also be called frequently. Some 12 Pro Max cannot trigger the long focus weak light scene, and 13 Pro Max gives a good performance with the night view mode of 2 or 3 seconds;
Main camera The situation is similar to the situation when 12 Pro Max first came out last year. It is like that the early firmware of 11 Ultra won't win over 10 Ultra. The strength of CMOS has not been fully squeezed out (Apple: make different hardware have the same effect all the time). The main improvement is that the noise control is slightly better, the contrast is slightly higher, and it is more pleasing to the eye, but not to a large extent;
The so-called "sensor upgrades are used to compress the night view shutter duration" is not completely accurate, because the shutter duration of 12PM and 13PM is the same for most occasions that trigger the night view mode. Although the new sensor and large aperture have not directly improved the picture quality, they have gained stronger dark light capture ability and film rate, and can shoot things that would have been blurred before, not an upgrade of loneliness.
In a word, the nonsense literature is "upgraded, but not completely upgraded", and needs to continue polishing.
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